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QUOTE COLLECTIONS OF Barbara Kruger
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Quotes By author - Starting with B - Barbara Kruger
There are 82 quotes for the author Barbara Kruger
Quotations 21 to 40 of 82
Results Page:   1   2   3   4   5
I think there are lots of ways to make good work. You can throw big bucks at a project and make what some would call crap, or you can work very modestly with eloquently moving results.

I really don't know where my sense of language came from. Neither of my parents was very verbal, but my mother has a nice sense of humor.

Sometimes you could just choke on all the irony around. Sometimes I just want to say, "Enough, already! I get it." But anyway, I feel really close to a lot of the work emerging now.

It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.

When I was at Parsons, Diane Arbus was my teacher, and she told me, "You know, you should write, because you talk like Dorothy Parker."

The walls in the gallery will be grayed to bring the white figures into relief The vinyl works are portraits, and they'll be in the small room at the gallery.

I just think that a rich expanse of work is thoughtlessly sliced and diced into convenient categories to make life easier for a few curators and critics.

Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.

The brevity of the text is about cutting through the grease. I just want to address people in a very forthright manner. It is why I always use pronouns, because they cut through in the same way.

Some of the quotes they'll contain are from Frederick Douglass; others are phrases like "Money Makes Money" and "Plenty Should Be Enough."

The texts are both conversational and direct address, and they change about every 10 seconds. There are also three tunnels which contain film loops.

I had to figure out how to bring the world into my work.

Do you know why language manifests itself the way it does in my work? It's because I understand short attention spans.

I noticed recently that some critics and journalists are already giving the old "been there, done that" treatment to so-called installation work. Ah, the fickleness of it all.

Listen: our culture is saturated with irony whether we know it or not.

I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed.

The sculptures have the look of classically carved white marble statuary.

I don't like to decade-ize. It's that category thing. It's just so sloppy and ahistorical.

I was still free-lancing at Conde Nast when I first saw Patti Smith read at St. Mark's Church. That was an epiphany, just one of those life-changing things.

I don't necessarily think that installation is the only way to go. It's just a label for certain kinds of arrangements.

Quotations 21 to 40 of 82
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