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QUOTE COLLECTIONS OF Lars Von Trier
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Quotes By author - Starting with L - Lars Von Trier
There are 88 quotes for the author Lars Von Trier
Quotations 41 to 60 of 88
Results Page:   1   2   3   4   5
If you go on correcting a script, you may lose your enthusiasm. It almost happened in this process, too, when we spent ages changing scenes and moving back and forth; but in the end we returned to the original, and the final version of the film is very close to the script.

The rule means-as I interpret it-that you are allowed to do nothing with the sound and picture after shooting: sound and picture hang together, and neither may be changed or moved afterwards.

If one devalues rationality, the world tends to fall apart.

I would argue that the aesthetics in flattening out a scene completely are obsolete.

When we formed the committee of priests to approve or reject the films, we realised that when the approval procedure is external-that is when it is not done by the director of the film, it quickly ends up being a question of cheating the committee, which really serves no purpose.

Idiocy is like hypnosis or ejaculation: if you want it, you can't have it-and if you don't want it, you can.

I prefer to work with unassailable ideas. And I wanted to do a film about goodness.

If I made a musical in the beginning of my career, it would have been crane shots and tracking shots and people coming out of cakes and whatever, but these techniques are something that I've left behind me.

You could say that when you introduce humour to your work, you also step back a little from it. You create a distance.

I suppose Swedenborg might have been pleased to have a room named after him, a wall-papered room with two chairs and two doors and a simple painting of a landscape containing a tiger and a serpent and a few birds.

It's something important in the relationship between the artist and his public.

My intention has not been to criticise a particular religious community. That doesn't interest me.

The film must be shot on 35 mm film and in Academy, which is a clearly defined format. But when you enter into a collective, you have to submit to the collective.

This way of working with actors that I have found now is normally a great pleasure, because it means giving a lot of freedom to some people-and to see them enjoy that freedom and to give to the project is usually very nice.

What is new for me is that a woman is at the centre of the story. All of Dreyer's films have a woman as the central character. And the suffering woman besides.

I give myself a task. This time, the task was to do a musical.

I had to fight so much for the film. It was not very pleasant, but it's rewarding in another way. But it has not been pleasant.

More than anything, there are more images in evil. Evil is based far more on the visual, whereas good has no good images at all.

Opera is more like melodrama. And the good thing about opera is that if you can accept that people sing instead of talk, then you don't have to go in and out of it. And that means you can have your emotions with you.

I'm having a vacation, and it's so beautiful, and maybe I'll never get another film idea in my life.

Quotations 41 to 60 of 88
Results Page:   1   2   3   4   5

   
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